O Brother, Where Art Thou? – from Goose
O Brother, Where Art Thou? – from Goose

O Brother, Where Art Thou? – from Goose

Date:2023-06-20
QIC:Goose
PAX:Enron, Goose, Paradiddle, Smooth Operator, Goldilocks, Econoline, Michelin

Though this title could refer to a few of the PAX who didn’t show this morning, the crew who did show were of such high quality, YHC was lifted above any yearnings for missing brethren. Goldilocks/Animal was there for his third in a row, revealing later that CrossFit was now dead to him; Econoline returned after a brutal reentry with dimples shining in the moonlight; and Michelin was back and ready for whatever! The ever stalwart Smooth, Enron, and Diddle rounded us out, and though the warmup chatter was low, the spirits were high.

Every now and then, a line from the movie, “O Brother, Where Art Thou” (Cohen Brothers movie with George Clooney) will jump into YHC’s head and bring with it delightful feelings of nostalgia from the many times it’s graced my screen. There are very few movies YHC can watch more than once or twice, but this is definitely one of them. The dialogue, the characters, the acting, and the ridiculous story-line have yet to get old. So, YHC dragged the rest of the PAX through the plot this morning via physical exertion.

Warmup of the usuals, including some sharply executed Moroccan Nightclubs, followed by a bumper mosey to wake the legs up and start the process of getting the gallons of lactic acid built up from Saturday and Monday out of the system (it would take almost the full length of the beatdown to complete that process).

The movie starts with footage of a prison chain-gang busting up rocks somewhere in Mississippi in the 1930’s. Three men, chained to one another, escape by running “stealthily” through a cornfield toward a railroad track with hopes of jumping on a train. So, we lined up along the edge of the grass, linked up with our arms over each other’s shoulder, and the all 7 PAX lunge walked together to the sidewalk. I felt sorry for the short guys, but that’s the way it goes when you’re chained together.

Next, since we missed the train, we had to flag down an old, blind man cranking one of those manual railway cars. YHC pulled the first song off the soundtrack, “Keep on the Sunny Side”, and we did alternating overhead presses with those gray bricks that the 2.0’s have been using, and upright rows on every “sunny”. But, we only had 5 sets of bricks, so two guys had to use blocks…which was tough. T-claps to Enron and Smooth for taking that one.

Next, the three escaped convicts made their way through many obstacles and opportunities to get back to the leaders’ wife, who was about to marry an upstanding man, a bonafide suitor, claiming that her convict husband had been hit by a train (“blooey!”). So, we ran through a sort of montage inspired relay race: Partner 1 was stationed a quarter of the way around the track and did Apolo Ono’s until Partner 2 completed 15 merkins and ran past Partner 1 to halfway around the track and took up the Ono’s. Once Partner 2 passed Partner 1, Partner 1 switched to 15 merkins before running past Partner 2, etc. This went on for three laps, and I think the winning team was Enron/Econoline. In case you were wondering, it was the merkins. The merkins were the crux. I love it when a routine ends up revolving around a seemingly harmless piece that no one expected would give them much trouble!

After this, instead of a ten-count, we went right into another song, which YHC hoped would provide both a breather and a shoulder burner, but it ended up being pretty weak. The song, another from the soundtrack, was “I’ll Fly Away”, and we planned to do shoulder fly’s with the bricks on every “fly”, but there weren’t nearly as many as YHC remembered. (Should have tested this one–overconfident.). Smooth and Diddle ended up with the blocks on this one since YHC promised it would be a little easier–not sure it was. We ended up basically just doing a bunch of fly’s/block curls along with some heel raises till the end of the song, which provided enough of a burn to get us to the next thang.

The movie’s climax is when the companions jump up on a stage at a campaign rally so Everett can get closer to his wife, who’s seated up front. They play “Man of Constant Sorrows,” (a song they played over the radio earlier in the movie to make a few bucks) and unbeknownst to them, reveal that they are the now wildly popular “Soggy Bottom Boys” that everyone’s been dying to hear. So, we took to the stage and did a continuous series of 10 dips, 10 alternating step-ups (1:1), 10 dips, and 10 box jumps until the song ended (about 4.5 minutes).

Our performance was so good that we were reunited with our wife with plans to remarry. This led us nicely into some themed Mary, which included lots of Hello Dolly’s, LBC’s, Wife Pleasers, high, slow flutter kicks, slow penguins, and J-Lo’s.

COT, Animal shirt went to Enron, and Enron prayed us out.

It’s been an awesome start of the week, but everyone’s looking forward to Cardinal’s birthday Q on Thursday at the Den. Would love to see us break 13 for that one! Rest tomorrow and get there!
And, watch the movie–we need a collective agreement on whether Paradiddle’s taste in movies is calibrated as poorly as YHC suspects.

SYITG,
Goose